![]() ![]() British Library Newspapers, Part I: 1800-1900. ‘New Novels.’ The Graphic (London, England), Saturday, FebruIssue 1314. “The Victorian ‘Change of Air’ as medical and social construction.” Journal of Tourism History, vol. ![]() “The Disease of Reading and Victorian Periodicals.” Literature in the Marketplace: Nineteenth-Century British Publishing and Reading Practices, 2003, pp. Mobility in the Victorian Novel: Placing the Nation. Holbein Visitors’ List and Folkestone Journal. Literature in the Marketplace: Nineteenth-Century British Publishing and Reading Practices. ‘ains of Circumstantial Evidence’: Railway ‘Monomania’ and Investigations of Gender in Lady Audley’s Secret.’ British Women’s Writing from Brontë to Bloomsbury, 1840-1940. Britain and the Narration of Travel in the Nineteenth Century: Texts, Images, Objects. The Seaside, Health and the Environment in England and Wales Since 1800.Aldershot: Ashgate, 2003. Riverbank and Seashore in Nineteenth and Twentieth Century British Literature. Reading, Publishing and the Formation of Literary Taste in England, 1880-1914. Charles Dickens’s Networks: Public Transport and the Novel. British Library Newspapers, Part II: 1800-1900. ‘General Advice on Particular Subjects.’ Fun. Florida: University Press of Florida, 2009. ![]() Posting It: The Victorian Revolution in Letter Writing. The Women's Penny Paper (London, England), Saturday, Octopg. Edinburgh: Edinburgh University Press, 2015. Basingstoke: Palgrave, 2016.ĭespotopoulou, Anna. Time, Domesticity and Print Culture in Nineteenth-Century Britain. Cambridge: Cambridge University Press, 2009.ĭamkjaer, Maria. “Railway Novels: Sensation Fiction and the Modernization of the Senses.” Elh, vol. Cambridge: Polity Press, 1994.ĭaly, Nicholas. The Lure of the Sea: the Discovery of the Seaside in the Western World 1750-1840. Oxford: World’s Classics 2008.Ĭorbin, Alain. Michigan: University of Michigan Press, 2012.Ĭatalogues of the Free Library, Folkestone: 18.Ĭollins, Wilkie. ![]() Are We There Yet?: Virtual Travel and Victorian Realism. “Tourism in the Age of Mechanical Reproduction: Aesthetics and Advertisement in Travel Posters and Luggage Labels.” Britain and the Narration of Travel in the Nineteenth Century, 2017, pp. ‘A Book for the Beach.’ The Morning Post. ‘Adventures in Space: Victorian Railway Erotics, or Taking Alienation for a Ride’. Railway_Fiction_or_Seaside_Sensation_FINAL.pdfīailey, Peter. Mary Braddon Wilkie Collins Railways Seaside Sensation fiction Victorian fiction Both Braddon and Collins insistently portray the sea as both sinister and overtly sexual, in what amounts to a deliberate assault on the nerves. Considering the journey by rail as a loop rather than a linear movement with a beginning and end point repositions the resort, as both sensational setting within the novels, and a place where subversive reading practices could be carried out, at a time when sea-bound travellers were often advised not to read at all for the sake of their health and greater enjoyment of the natural environment. But Mary Braddon’s Lady Audley’s Secret and Wilkie Collin’s No Name use the coastal resort to explore affective responses in the context of physical and moral health. The increasing tendency from the 1860s to use ‘railway reading’ and ‘seaside reading’ as interchangeable terms has been largely overlooked in studies of sensational and gendered reading. ![]()
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